15-01-2021

Archisbang+Areaprogetti: Redevelopment of Scuola Pascoli, Turin

Archisbang,

Marco Giai Via,Simone Bossi,安德里亚·格曼尼(Andrea Guermani),

Turin,

学校和大学,School,

教育是创建一个公民中心的一种持续的功能和增强历史遗产的方式:这些是Archisbang和Areaprogetti在都灵的Giovanni Pascoli学校重建的关键,而“ Torino Fa scuola”竞争的冠军。



Archisbang+Areaprogetti: Redevelopment of Scuola Pascoli, Turin

In a project promoting innovative “Torino Fa Scuola”teaching methods,2018年举行了一场比赛,原因是由乔瓦尼·帕斯科利(Giovanni Pascoli)命名的一所中学,由由Archisbang和aketprogetti组成的团队赢得。在2019年底完成工作后,都灵中央金都灵区的教学大楼的续签在CNAPPC的“ Premio Architetto Italiano 2020”或2020年奖项的意大利建筑师中获得了荣誉。
The project clearly declares that schools, particularly those located in historic buildings, as is often the case in Italy, should no longer be viewed as a series of classrooms connected by a corridor, but asa circuit of versatile spaces for aggregation,由诸如光,颜色和材料之类的软设计参数强调。
该综合大楼的建造是为了容纳“教育家Duchessa Isabella”寄宿学校,由慈善机构Opere Pie San Paolo委托于1893年。1960年,建筑物面对通过Duchessa Jolanda和通过Goffredo Casalis的部分地区被重建为学校和住宅建筑。由于学校尚未被视为遗产建筑,因此其最初的19世纪后期的角色尚未被视为。由历史综合体的初始修复是由Compagnia di San Paolo, which moved its offices and historic archives into the building, but it was Archisbang and Areaprogetti’s restoration of the building’s original vocation as a school that markeda turning point.
This is a project of global scope which is not therefore limited to solving contingent problems linked with architectural renewal but, as required by the competition announcement made by Fondazione Agnelli and Compagnia di San Paolo in collaboration with the municipality,提出一种新方法为了重建一座意大利遗产建筑,使其成为一辆汽车城市再生。这种情况可能适用于意大利的大量建筑物,这些建筑物是被用作学校的,或者随后改编的,但不符合当前的地震法规,并且渴望能量或仅仅是为了用作学校的原因,例如它们的声学特性。在这个项目中,Archisbang和AreaProgetti想象着另一种学校,不仅在结构和空间方面更新也更新其职业raybet电子竞技竞猜,向城市社区开放其空间,以基于social life。The basic principle inspiring the redevelopment project is opening the school to the city around it, beginning precisely with transformation of its entrance foyer and developing a free, open system of pathways on all levels, containing开放图书馆和礼堂与破坏的空间进行聚合。All this is obtained by revealing the building’s original structure, freeing it from the infill added here and there over the years to improve circulation, adding mezzanine levels and transparent surfaces, and transforming the rooftop into a terrace restoring the building’s contact with the city around it.
Taking a closer look, the redevelopment project began by moving the entrance door and completely改变门厅。在翼的尽头,在Via Duchessa Jolanda的末端,现有的窗户变成了街道上的门户,金属框架与墙壁和玻璃填充物上高的窗户周围的框架的颜色和比例相匹配。为了克服门厅和街道之间的水平差异,添加了坡道,一侧连接到楼梯上,并消除了隔板:竹地板连接并与Luserna Stone形成鲜明对比,而接待台和接待台和将服务区域分组在一起并与拱形结构分离,以免干扰它。声音吸收的单色三聚氰胺面板被固定在墙壁上,好像它们是艺术品一样,促成了秩序的整体印象。建筑物提供开放,明亮的接待区装饰有多种家具,为旧入口提供了真正的改头换面,其中通过黑暗楼梯和一个进入隔间,完全改变了走廊的比例。坡道的建造需要拆除地窖中的拱顶海湾,该湾仍然包含Compagnia di San Paolo的Fondazione 1563的档案混凝土内部剩下的是确定随后的翻新工作。
在院子里增加火楼梯the main staircase,布置建筑物布局周围的历史元素,从入口门厅升至上层,从需要开火门和填充拱门的需要,这改变了空间的整体外观。与新夹层地板的连接采用狭窄的金属人行道涂成白色to blend in with the walls behind them; boxes on the landing of each level interact with the colour of the original cement floor tiles, grouping together all the necessary technical and storage functions as a separate element.
The same philosophy was applied to work on each floor of the building, eliminating the infill in the arches over the classrooms, which has been replaced by permanent fixtures and glass walls:历史悠久的砌体已经减轻并下划线,虽然覆盖覆盖的原始楼层的修复,但在空间中保持了连续性。
在教室中,虚假的天花板瓷砖已被安装在距天花板距离的线性声音吸附板所取代,以使历史悠久的拱顶视为可见。在健身房,coffered ceilings已恢复其原始颜色,适合将空间作为礼堂的替代使用。一些教室有折叠式隔离墙,以便可以将它们一起参加研讨会,而走廊则具有unconventional moveable furnishings for individual studyin private niches or small groups.
Making the most of the strip of windows on the internal corner between the two wings of the building, thematic reading rooms have been installed on each level, conceptually linked to form an open library around the central stairwell. The gabled roof of the wing on Via Duchessa Jolanda has been modified to create astepped terrace所有人都可以访问。部分提高的阁楼水平为团队合作,办公室和员工提供了一个区域。在这里,就像在入口门厅下方的地窖中一样,屋顶的混凝土内部是为了唤起新的可步行屋顶的形状。
The old standard metal fire escape that occupied part of the courtyard has been replaced by a metal ramp surrounded by a solid parapet with a strip effect, bringingnew order to the space, which is not directly usable but provides a visual reference for all the spaces overlooking it.
The building’s overall aesthetic and functional transformation was approached with an attitude that viewed the requirements of conservation as an opportunity for enhancement: new “lightweight” false ceilings conceal the electrical wiring with as little work as possible on the walls, while the mechanical ventilation system, present only on the first mezzanine level, was created making use of the niches already present in the load-bearing walls wherever possible.
该项目背后的理念是基于公共文化体系的建筑,#raybet官网a sort of civic centre促进学校的教育和教学资源,不仅为学生,而且为希望从外部访问建筑物并参加其主办活动的任何人。它的流体空间是通过有针对性的拆除和灵活的配件新近减轻的,它提供了与当今学校中普遍的图像截然不同的形象,这当然更具活力和热情,使我们能够想象教育作为持续的职能not reserved strictly for a certain age range.

玛拉·科拉迪(Mara Corradi)

设计团队:Archisbang,Areaprogetti S.R.L.
团队负责人:拱门。Silvia Minutolo(Archisbang)
Work management: Arch. Marco Giai Via (Archisbang)
顾问:拱门。Chiara Devecchi(声学顾问)
网站:意大利的都灵
Client: Fondazione per la scuola della Compagnia di San Paolo
构造函数:Quintino costruzioni S.P.A.
Budget: € 2.750.000 building works + € 350.000 fornitures
任务:概念与初步设计(竞赛 - 一等奖),最终设计,工作计划,建筑,监督,安全协调
Size: 2,900 sqm
Timing: 2017 - competition, 2018 | 2019 - building site, 2019 September - opening
Simone Bossi摄影师(01-21),Andrea Guermani(31-34)的照片,Marco Giai(35-36)

https://www.archisbang.com/
https://area-progetti.it/

Premio Architetto Italiano 2020: honourable mention


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