16-03-2018
平昌冬季奥运会刚刚结束。我们想利用这个机会向您介绍珍妮Airey,英国摄影师拍摄在2012年伦敦奥运场馆。在她的工作你不会找到建筑摄影的基本面,而是一个清晰的视角庆祝空间和沉默,暴风雨来临前的平静。平昌2018年冬季奥运会刚刚结束,留下的记忆游戏,他们的相关活动和基础设施。我们想利用这个机会来描述一个老项目很值得一提。我们正在谈论工作英语摄影师珍妮Airey,伦敦2012年夏季奥运会期间执行。教练,运动员之前,尖叫的粉丝和媒体人员进入伦敦体育场,奥运交付管理局委托Airey一系列照片,描述了为奥运会创建架构。#raybet官网的摄影师的话说:“你很少有机会欣赏这样的沉默和规模惊人的建筑形式”,尤其是当他们是开放的,他们显然是拥挤。这种方式,珍妮Airey有幸进入奥运空间在就职之前,当大气中还平静,一切都是崭新的。”,这些照片我想庆祝的美线和形式的这些建筑,并捕捉令人难以置信的冷静和平静你四周散步感觉他们在爆炸发生前的兴奋,英国经历了那个夏天。“如果这是Airey的目标,毫无疑问,她实现了它。 Focussing on details, rather than photographing the buildings in their entirety, turned out to be a winning choice. Indeed, the elegant beauty of the structures and their clean lines were transformed into purity and incisive simplicity, creating photographs that could do justice to the grandeur of the designs by Zaha Hadid, Hopkins Architects and Populous with few but well-defined lines. Janie Airey’s approach to architecture photography is not traditional: she does not use tilt-shift lenses to manage the vertical lines, nor does she adjust them during the post-processing phase; also, she rarely uses tripods, as she finds them too restrictive. The Olympic buildings are vast and offer an endless series of possibilities. In two days of shootings, Airey brought back home a thousand photographs, but she would have taken even more. What worried Janie the most while carrying out the job was the excess of abstractionism, that is not always welcomed by architecture photographs. In this kind of photography, one usually tends to try and give an idea of scales and proportions. Entering too much into the details could have resulted into a boring, lifeless and excessively abstract job. In Airey’s words: “The end result proved me wrong thankfully. The structures and compositions spoke for themselves”. For sure, we can only agree. By looking at a framed springboard or at the chair of a judge, we can feel the presence of the entire Aquatic Centre. An aerial view of a door is enough to lead us to imagine the entire hockey stadium. The net can easily describe the entire tennis court. Architect Mies van der Rohe once said that “God is in details”: he was probably right, and Janie Airey can surely confirm that. Francesco Cibati Website: www.aireyspaces.com Shop: www.aireyspaces.com/shop