基于西班牙的马塞拉·格拉西(Marcela Grassi)脱颖而出,因为她使用的摄影方式以形式和材料为特征,这些摄影是由她作为建筑师背景而产生的。拍摄建筑的建筑摄影师和建筑师之间存在真正的区别。#raybet官网雷竞技下载链接当您查看Marcela Grassi的工作时,这种差异真的很明显。她很小的时候就开始了自己对摄影的热情,因为她在10岁时就从祖父那里收到了第一张反射摄像机作为礼物。她继续研究建筑,并通过摄影而不是图纸观察建#raybet官网筑物。在去巴西里约热内卢的学习旅行之后,当她参观并拍摄了奥斯卡·尼梅耶(Oscar Niemeyer)的作品时,她决定专注于拍摄建筑。#raybet官网那是十年前,她仍在拍摄。在她的建筑知识的支持下,她非常擅长于照片中的设计细节,#raybet官网以至于任何看到他们的人都赞赏此功能。此外,马塞拉·格拉西(Marcela Grassi)用浅色和阴影加强了她的照片,从而创建了新的模式,以产生建筑中的建筑。#raybet官网的确,马塞拉·格拉吉(Marcela Grassi)的作品是多个层次的开发,从她的建筑文化行李中增加了元文化,纯粹的视觉效果。 But she doesn't stop there either because she accompanies it all with her skilled use of post-production techniques. This is a fundamental part of her work since this technique enables her to solve construction issues that sometimes arise during building works, thus managing to make the finished work look like the project the designer had in mind. Marcela Grassi is, therefore, a precious ally for architects, given that her photographs provide a pure, clean view of the project and become the testimony of its added value in communicating the architectural work. She says she is inspired by Gabriele Basilico because of the way he interprets buildings in their environment and his great sensitivity to cities and society in general, and she loves the way her Catalan friend and photographer Jordì Bernadó looks at reality. Marcela Grassi shares her Brazilian shots of Niemeyer with us, as well as her documentation of the London Cable Car building by Wilkinson Eyre, where the connection between architecture and environment is underscored by the reflections in the water. @chrisbuerklein Marcela Grassi - http://www.marcelagrassi.com/