Antonella Bozzini是一位专业的意大利摄影师,专门研究静物。她通过将自己的技术应用于大小的空间,包括建筑和室内设计,来制作创意快照的集合。#raybet官网意大利摄影师Antonella Bozzini毕业于米兰的欧洲设计学院(Istituto Europeo Del Design -IED)毕业于摄影,她的梦想是跟随大罗伯特·卡帕(Robert Capa)的脚步,并成为摄影师。但是,正如约翰·列侬(John Lennon)所说:“生活是当您忙于制定其他计划时的生活”,在90年代,Antonella开始与Maurizio Rebuzzini合作,成为《 Fotographia》杂志的静物摄影师,直到她开设了自己的摄影工作室。这种形成性的背景会影响她的摄影方法,无论主题的规模如何,因为她的许多图像看起来更像是绘画而不是照片,这是静物摄影的标志。静物摄影类型用于代表无生命的主题,通常是小组的对象。它的起源可以追溯到荷兰艺术的17世纪传统。在绘画中,“ Vanitas”是描述静物类型的另一个技术名称。vanitas一词是对这些看似简单的对象组成对象的哲学性质的描述,是时间本质的概念表示。Vanitas主要是指生命的瞬间,Antonella Bozzini封装在快照中,这不仅仅是讲述细节的故事来描述照片中那个时刻的特定情绪。 The fixed, immediate and instantaneous image that remains frozen therefore gives tangible proof that time is a collection of moments. This reflection is also inherent in food photography - that Antonella Bozzini discussed in her interview in the “Dress the kitchen” section of Floornature - where the photographer is forced to address the perishability of cooked food. A curious, bubbly person like her will, of course, never stop at just snapping shots of tasty culinary creations, so she also focuses on the world of interior design where she has found fertile ground for her visual narrative. Antonella Bozzini always starts from a clearly defined project concept because she wants to capture both the atmosphere of the location and the details of the interior design and finishes. This is precisely where Antonella Bozzini can really express her creative flair: her shots remind us of the small pleasures of life, like the delight of a tasty dish or the harmony of a space to spend your time in. These elements all risk being lost in our overly busy world where there is no room for wonder, or even for pondering on our fragile and beautiful existence, which is revealed to us through the attentive eye of this photographer. @chrisbuerklein Antonella Bozzini https://www.antonellabozzini.com/ Facebook Instagram
英国的专业摄影师克里斯·约翰逊(Chris Johnson)分享了他从直升机上拍摄的伦敦航空镜头,这使我们对英国首都的新型标志性建筑有了独特的景色。克里斯·约翰逊(Chris Johnson)是位于东萨塞克斯(East Sussex)黑斯廷斯(Hastings)的全职专业摄影师。他对摄影的热情和热情始于很小的时候,他的父亲和祖父都是摄影师。长大后不断使用相机,有助于激发他对这种视觉艺术的兴趣。克里斯·约翰逊(Chris Johnson)从模拟摄影变为数码摄影的变化经历是积极的,因为他专注于技术方面,以捕捉重要的时刻,在他的领域尤其重要 - 摄影记者 - 即使是毫秒也可以在视觉叙事中改变视觉叙事。他通过伦敦直升机到达航空摄影,这是一家提供航班从上方参观伦敦的公司,欣赏了城市面料的整体景色,并带有绿色屋顶和建筑解决方案等意外的宝石,这些宝石从传统的角度看不见。由于选择了主题,这是一个很大的优势,正如我们在最近在泰晤士河上建造的新建筑的图片中所看到的那样,但并非没有陷阱。因为,与使用三脚架和一些摄影师采#raybet官网用的大型建筑摄影不同,从悬停直升机中拍照是完全不同的 - 它移动,抽搐,您需要坚定的手和快速,与拍摄相比拍摄搬家。也许这些相似之处就是为什么克里斯·约翰逊(Chris Johnson)像他看到的方式那样从航空摄影中获得如此嗡嗡作响的原因,因为标志性建筑与摇滚明星和运动员之间没有明显的区别。#raybet官网 Not only that but the aerial perspective becomes innovative and unique in a world where social media is jam-packed with the same shots of the same buildings taken from the same angles, particularly in a tourist hotspot like London. Of course, we asked him what he thought about using drones for aerial pictures. Chris Johnson actually owns a drone, which he bought after experiencing the views from a helicopter but he sees them as two completely different worlds. He considers himself a purist and he likes to capture photos with minimal editing; with drones, he doesn't have the same immediate control and quality of his camera. These details make all the difference - when Johnson flies over London in a helicopter he is always behind the camera and he can adjust zooms, angles and settings to give optimal quality and that personal touch, which would otherwise be lost in the “boilerplate concept” dictated by the inevitable orthogonal setting of the drone. @chrisbuerklein Chris Johnson http://www.chrisjphotography.biz/
建筑摄影#raybet官网师尼古拉·洛鲁索(Nicola Lorusso)将摄影视为一种有用的表达媒介,用于传播情感并将图像变成空间的探索。尼古拉·洛鲁索(Nicola Lorusso)毕业于都灵#raybet官网的理工学院的建筑,他在那里开始摄影,发现它是表达自己的情感的绝佳媒介。毕业后,他决定进一步接受激情,并在米兰的IED完成了摄影课程。在这里,洛鲁索(Lorusso)正在与我们分享两个室内设计项目,这是一个需raybet官网要尖端方法的建筑摄影类别,因为它将带您进入个人空间领域。#raybet官网确实,这些照片仅在项目完成,位置已经提供甚至使用时拍摄。所有这些目的是按照查尔斯·伊姆斯(Charles Eames)的话进行详细的叙事叙述:“细节不是细节。#raybet官网他们制作设计”。室内设计摄影并不容易,但这是尼古拉·洛鲁索(Nicola Lorusso)的表现力脱颖而出的领域。他巧妙地找到了自己的出路,围绕着几乎没有搬迁的空间,无论是在室内还是在解释的框架中。然而,除了对空间的同情心以及已经在家庭中投入情绪并希望看到这些情绪反映在图像中的那些情绪的客户外,他仍然设法表现出自己的视觉能力和创造力。 When you look at Nicola Lorusso's photos you are struck by their hyper-realistic appearance, composed of bold lines, clear edges and crisp colours - making them look almost like renderings. In that case, it could be seen as a contradiction in terms, considering the conflictual relationship between images shot with a camera and images created on the computer. Still, for this photographer that's not a problem, on the contrary, it is to all intents and purposes his great expressive power because he simultaneously proposes a set of spatial and imaginary experiences. So, on the one hand, his shots communicate the project to the viewer and on the other, they give the client important feedback. We might conclude that he creates a visual narrative that enables the viewer to comprehend the space, the lights, the furniture, the atmosphere and the material surfaces. And at the same time, his clients find their design concept validated in his pictures. Put another way, some of us seek beauty, some of us create it...and then there are the ones, like Nicola Lorusso who communicate its details. @chrisbuerklein Nicola Lorusso http://www.lorussonicola.com/