标签罗马

12-05-2017

带有虹膜陶瓷的工厂山谷3.0为欧洲建筑师打开了大门雷竞技下载链接

罗马Valle 3.0建筑工作室的出色环境看到了一个致力于欧洲建筑师委员会与#raybet官网欧洲建筑教育协会组织的建筑培训与实践之间关系的研讨会活动，与国家建筑委员会，国家建筑委员会组织，国家理事会，国家委员会。雷竞技下载链接规划师，景观建筑师和保护主义者。雷竞技下载链接

12-05-2017

Italo Insolera，Il Bianco E Nero DelleCittà展览

“现代罗马”的作者Italo Insolera的照片是展览的重点：Italo Insolera，Il Bianco e Nero e nero delle delle delleCittàImmagini1951-1984（黑白城市，1951 - 1984年），今天11日开放五月在特拉斯维尔的罗马博物馆。

28-04-2017

那不勒斯，里昂·萨尼塔（RioneSanità）：两个广场恢复到美女

那不勒斯大学建筑系和许多其他合作伙伴的Fondazione diComunità#raybet官网SanGennaro允许根据参与性设计在RioneSanità进行城市填海。在标志着安东尼奥王子德·柯蒂斯（Antonio de Curtis）死亡五十周年的事件中，该广场揭幕了。

21-04-2017

亚历山德罗·吉达（Alessandro Guida）。罗马的科维亚尔

灰色混凝土沉入内部内置的郊区的绿色中，混乱的城市景观被更乡村的氛围取代，由田野，裸露的建筑工地和隔离。这是一种记忆，那些在科维亚尔（Corviale）生活中生活的人与他们一起生活，这就是照片的复兴者亚历山德罗·吉达（Alessandro Guida）的目标是在他的照片中记录。“公里”应该是1970年代罗马住房危机的答案。同时，它打算将个人和社区汇集在一个屋顶下，并配有所需的所有服务。不幸的是，该项目从未完成，使城市的这一部分独自一人孤立。物质成瘾，毒品交易和蹲下的故事使科维亚尔成为了避免的地方。它被切断了罗马其他地区，这也导致了科维亚尔和住在那里的人们的孤立。这种猛mm象建筑的僵硬形式及其模块化，如此合理，以至于将居民锁在里面，在Guida的作品中很明显：没有一个人#raybet官网出现在他的照片中，但是我们正在谈论一个复杂的那是大约6000人的家。他将疏远感提高到了最大程度。 However, the photographer's work also intends to show another side of Corviale. At first glance, its present state of disrepair and decrepitude is clear, but at the same time the power of these architectural spaces reference the project's utopian nature, also expressed in the impressive magnitude of the complex and in how the spaces are organised. Still, the key to interpreting Alessandro Guida photography project is change. Documenting the Corviale's present state of decay can shine some light on what it was and what it could have been. This awareness, which is perhaps the luck of our times, always helps give value to the past. After living here as children, there are people who have returned to initiate redevelopment projects, to fend for the architecture, but also to help create new social ties or revive old ones. Many initiatives have been rolled out, some get the kids off the streets with a football school, others are art collectives that organise community events. Corviale is slowly rising from the ashes, and it is also because of work like Alessandro Guida's photography project, which brings us face to face with reality, that drives us to want a better future, for the architecture and for the people who live there. Barbara Esposito Photographer's website: http://www.aleguida.com/ Collective photography website Urban Reports: http://www.urbanreports.org/