标签市政厅

17-03-2022

Zaozhuang公民服务中心上海联合设计集团（UDG）

上海联合雷竞技下载链接设计集团（UDG）的建筑师为Zaozhuang市的新服务中心提出了象征性的形状。该项目是一个包括体育设施和公园的地区的一部分

24-11-2020

技术创新和陶瓷质量：Granitech抬高地板的好处和预防

在当代表面场景上，高科技陶瓷的公认和越来越欣赏的品质使它们的力量，灵活性以及易于清洁和维护所产生了一切不同。Granitech高架地板，再加上Iris Ceramica Group品牌制作的平板，代表了在公共场所和工作区中优化和加快维护工作的预防解决方案

16-11-2020

亨宁·拉尔森（Henning Larsen）的混凝土和木材市政厅在河上的桥上

Il municipio dieysturkommunaèunun edififio a ponte con una struttura在cemento，un ivestimento in legno e il tetto e il tetto verde verde verde sul quale quale quale quale fare dei野餐

30-09-2020

Bodø的新市政厅由Atelier Lorentzen Langkilde设计

丹麦建筑公司A#raybet官网ll - Atelier Lorentzen Langkilde已为挪威镇Bodø完成了新的市政厅，设计为公民与政府机构之间的讨论论坛。该设计的基础是一个复杂的综合体，包括两座现有的历史建筑，通过第三个新的当代建筑与彼此进行对话，该建筑是论坛的家园，并提供了整个项目的Lynchpin。

16-11-2018

安东尼·科尔曼（Anthony Coleman） - 市政厅系列：伦敦类型学

安东尼·科尔曼（Anthony Coleman）捕捉了伦敦市政厅的谨慎魅力，其中许多不再适用于他们的原始使用或拆除。伦敦的摄影师安东尼·科尔曼（Anthony Coleman）向他的城市的公共建筑致敬，捕捉了一系列建筑物，或者是市政厅。#raybet官网他的项目“市政厅系列：伦敦类型学”的主题超过200年 - 从哈克尼老市政厅（1802年）到布伦特市民中心（2013年） - 给了我们这些建筑物历史的快照，它们的原始目的是现在还有什么。According to the photographer, the importance of London’s Town Halls lies in the fact that they reflect the spirit of the time when they were built, a time when local governments were “about so much more than managing budgets”, bringing a number of different services, such as theatres, swimming pools, libraries and administration under a single roof, the city’s most important building. This meant they could stimulate the community and promote civic engagement. Now, many of these buildings have been repurposed or face demolition. And Coleman reports that Wembley’s town hall is now a French private school, while Wimbledon’s is a Tesco supermarket. And that’s nothing compared to Hackney Town Hall, which is now a betting shop. Is this really the representation of civic pride and of how over time this involvement has fallen to the wayside in favour of private freedom and individualism? Apart from these sociological interpretations, Coleman has given us an artist’s impression of the history of public architecture in London. He took lots of different shots of each subject, using a wide shift lens and amalgamates several pictures into one, editing out the unwanted details, and even giving each image the same grey-coloured sky, to make them all match with each other. The result is an extremely objective description of the buildings, making it easier to compare them and find differences and similarities. “There’s a tremendous formality to them,” says the photographer. They even look very heroic, with their symmetry, their flagpoles, their embellishments and the grand space left around them. But they also have a strident touch of melancholy, as if they don’t really want to show off, because they know that they were built to serve the city and the people Shoreditch Town Hall, designed by Caesar Augustus Long in 1866, perhaps embodies this dual character more than any of the others. On the facade a statue resembling Nike, the Greek Goddess of victory towers above the motto More Light, More Power, surrounded by a triumph of friezes, glazing and columns. When the Town Hall was built, ambitions for the building were high, according to a contemporary report by Hackney District Board of Works. “We hope and do not unreasonably anticipate that the use of the edifice may tend to develop, strengthen and perpetuate the municipal principle, and to secure the Metropolis, the advantages of Local Self-Government for Centuries to come”. After handling the case of Jack the Ripper, staging theatrical performances and facilitating evacuations during the Blitz, about fifteen years ago, the Shoreditch Town Hall was converted into an “exciting destination contemporary arts and events venue at the heart of the buzzing creative scene,” complete with Michelin-starred restaurant. These buildings were designed and built to be fundamental to the community, and Anthony Coleman’s straightforward and precise rendering emphasises their civic importance. What doesn’t come through in these photographs is to what extent the idea behind the building has been respected over time, their external appearance aside. And against this, it begs the questions of to what extent are the fundamental values of the public realm that we constitute still alive today, behind appearances and facades? In this, perhaps, the paths of public architecture and a sense of civic pride have diverged over the years. Francesco Cibati Website Anthony Coleman: http://www.anthonycoleman.com